1“So, the title. How did it come to be chosen?”5:45
2“What has been the timetable with this album?”4:11
3“And what kind of working style did you adopt? Were you working mostly days? Nights?”4:38
4“Let’s talk now about Thom’s vocals on this CD…”1:45
5“And what was the mindset in recording? After all, there’s a single release!”0:49
6“Were there many tracks left over after recording? And can we mention the great song ‘Lift’, and ask what happened to that?”0:57
7“Could this album have been made 2 years ago?”1:42
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8“What about touring – has that become enjoyment again?”1:08
9“Track #1 is called 2+2=5”3:45
10“Track #2, Sit Down, Stand Up. Where did that come from?”4:39
11“Track #3 Sail to the Moon, let’s talk about your vocals on this album. But first off, it sounds like a sinister nursery rhyme…”3:28
12“Here’s a change (irony!) as a definition of a Radiohead song…Track #4 Backdrifts seems a pretty desolate vision.”2:38
13“Track #5, Go to Sleep”5:26
14“Track #6. Where I end and You begin next. Great bassline!”2:10
15“Here’s a cheery title for Track #7: We Suck Young Blood. Humour perhaps?”2:57
16“Track #8 The Gloaming is next. That’s the time just before night falls, isn’t it? And this sounds to me like the listener is being eaten by a big technological machine…”3:57
17“Track #9 There There is next; and it’s a single, unusual indeed for Radiohead…”3:44
18“Track #10 is I Will. Something of a curio?”3:38
19“Track #11 is A Punchup at a Wedding. The title seems to sum up your frustration at the human condition. ‘Why does everything have to be like this?’”3:44
20“Track #12 is Myxomatosis (a disease that infected the rabbit population of Australia, deliberately, in the 1950s.) Do we detect a Tubeway Army sound here?”4:57
21“Track #13, Scatterbrain is an unsettling sounding track…”2:14
22“And the final track, Track #14, is A Wolf at the Door. A last chance (on this album, anyway) to put across some Home Truths?”2:51